Germany Enacts Law Mandating Streaming Services to Invest in Local Film Production

Germany mandates streaming services to invest 8% of their revenue in local film production, boosting funding and cultural diversity amid industry and international reactions.

    Key details

  • • Streaming services and broadcasters must invest 8% of their German net revenue into local film production.
  • • 80% of funds must support German-language films, with quotas for independent and European producers.
  • • Annual film funding in Germany will increase to 250 million euros, enabling job security and growth.
  • • Producers gain gradual rights return on films; the law includes provisions for investments exceeding 12% revenue.
  • • The law is welcomed by film production groups but faces criticism from media associations; potential US trade retaliation is a concern.

Germany's government, in collaboration with the CDU/CSU and SPD factions, has finalized a legal obligation requiring streaming services and broadcasters to invest 8% of their annual net revenue from Germany into local film and series production. This law aims to bolster the German film industry, ensuring sustained job security while fostering cultural diversity, explained Culture State Minister Wolfram Weimer. The mandated investment must allocate 80% of funds to German-language films, with quotas ensuring 70% go to independent producers and 60% to European productions. Companies investing more than 12% of their revenue can negotiate individual agreements with production companies, providing flexibility beyond the default legal framework. Finance Minister Lars Klingbeil emphasized that the deal offers planning certainty for increased investment in both national and international content. Annual funding for economic film support in Germany will rise to 250 million euros, releasing 120 million euros in contingent funding previously held back pending the investment obligation's approval. The Production Alliance welcomed this compromise for unlocking planned funds but the Private Media Association Vaunet criticized the rule as outdated and disproportionate. Additionally, the law grants producers the right to reclaim film rights gradually, a shift from previous arrangements where platforms like Netflix held full rights. However, concerns remain about possible retaliatory tariffs from the U.S., following warnings from the German embassy in Washington amid heightened political tensions. The legislation marks a significant milestone for Germany's cultural policy, while remaining less stringent than France's 20% or Italy's 15% streaming obligations.

This article was translated and synthesized from German sources, providing English-speaking readers with local perspectives.

Source comparison

Investment allocation requirements

Sources report different allocation percentages for reinvested funds

tagesschau.de

"The law mandates that 80% of the reinvested funds must be allocated to films featuring German language."

welt.de

"The law does not specify the percentage of funds that must be allocated to German language films."

Why this matters: One source states that 80% of reinvested funds must go to German language films, while the other does not mention this specific allocation. This difference affects understanding of how the funds will be used in the local film industry.

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